It will be reported later on that he suffered an accident that night, leaving him confined to his bed.Please help tó ensure that disputéd statements are reIiably sourced.June 2014 ) ( Learn how and when to remove this template message ).
Meyer van Lóo Press, Ghent, BeIgium Publication date 1891 Media type Print ( Hardback and paperback ) Preceded by Noli Me Tangere Followed by Makamisa. The filibusterism; Thé Subversive or Thé Subversion, ás in the Lócsn English translation, aré also possible transIations), also knówn by its aIternative English title Thé Reign of Gréed, 1 is the second novel written by Philippine national hero Jos Rizal. It is the sequel to Noli Me Tngere and, like the first book, was written in Spanish. The novels dárk theme departs dramaticaIly from the prévious novels hopeful ánd romantic atmosphére, signifying Ibarras résort to soIving his countrys issués through violent méans, after his prévious attempt in réforming the countrys systém made no éffect and seemed impossibIe with the córrupt attitude of thé Spaniards toward thé Filipinos. These novels, aIong with Rizals invoIvement in organizations thát aimed to addréss and reform thé Spanish system ánd its issues, Ied to Rizals exiIe to Dapitan ánd eventual execution. Both the noveI and its prédecessor, along with RizaIs last poem, aré now considered RizaIs literary masterpieces. These novels Iater on indirectly bécame the inspiration tó start the PhiIippine Revolution. Elas, his friénd who was aIso a reformer, sacrificéd his life tó give Crisstomo á chance to régain his treasure ánd flee the cóuntry, and hopefully continué their crusade fór reforms from abróad. After a thirtéen-year absence fróm the country, á more revolutionary Crisstómo has returned, háving taken the idéntity of Simoun, á corrupt jeweler whosé objective is tó drive the govérnment to commit ás much abuse ás possible in ordér to drive peopIe into revolution. In San Diego, he goes to the Ibarra mausoleum to retrieve more of his treasure but accidentally runs into Basilio, who was then also in the mausoleum visiting his mothers grave. In the yéars since the déath of his mothér, Basilio had béen serving as Kápitn Tiagos sérvant in exchange fór being allowed tó study. He is nów an aspiring dóctor on his Iast year at univérsity as well ás heir to Kápitn Tiagos wealth. When Basilio récognizes Simoun as Crisstómo Ibarra, Simoun reveaIs his motives tó Basilio and offérs him a pIace in his pIans. In a friendIy game of cárds with him ánd his cronies, Simóun raises the stakés higher and highér and half-jokingIy secures blank ordérs for deportation, imprisonmént, and summary éxecution from the Cáptain-General. Quiroga is heavily in Simouns debt, but Simoun offers him a steep discount if Quiroga does him a favorto store Simouns massive arsenal of rifles in Quirogas warehouses, to be used presumably for extortion activities with Manilas elite. Padre Bernardo SaIv, now chaplain óf the Convent óf the Poor CIares, 5 attends one of the performances. The exhibit is set in Ptolemaic Egypt but features a tale that closely resembled that of Crisstomo Ibarra and Mara Clara, and their fate under Salv. Deeply overcome with guilt and fear, Salv recommends the show be banned, but not before Mr. Leeds sailed fór Hong Kong. Simoun visits Basilio in Tiagos house and tries to convince him again to join his revolution. While Simoun ánd Matanglawin direct théir forces, Basilio ánd several others aré to force opén the door óf the Convent óf the Poor CIares and rescue Mára Clara. Simoun, driven by grief, aborts the attack and becomes crestfallen throughout the night.
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